Isabel M Sierra

Art Director


is a 2018 Master in Art Education candidate at Florida International University and currently holds a Bachelor in Fine Arts in Visual Arts with a Minor in Art History from FIU. Also, Isabel received an Associates Degree in Graphic Design from Miami Dade College.  Sierra has worked as a photographer, imaging specialist and art director for different organizations in Miami, Florida; Caracas,Venezuela, and Havana, Cuba.


A photographer since the 1980s, Isabel continues to probe into social issues through her photography works with a sustain interest in topics relating the migration processes, and identity. 

Sierra has exhibited her work in various galleries and museums in Europe, South America, and the US, including The Patricia and Philip Frost Art Museum in Miami, Museum of Contemporary Art in Caracas, and Casa de las Americas and the National Museum of Fine Arts in Havana.

thePhototheque


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The rafter is gone, 2016. Metallic ultra HD Photo Print  20 x 50 ", private collection


 


One of the pioneers of cuban documentary photography.

An American citizen, she works and resides in miami

Sierra won the Cuban Nationwide Photographic Award 13 de Marzo in 1987 for her work Barrio Chino -Chinatown-, which documented a Chinese neighborhood in Havana and represented the artists’ first foray into combining formal aesthetic with social inquiry.  Barrio Chino was also selected for the final show at CASA's Photographic Prize Havana during that same year. Series from 1981-87

In Self Exiles I intended to assemble a vivid and accurate document about Cuban-Americans living in the Miami area. 

I worked mostly outside their houses where I could not change the fountains, gardens, and decorations. My goal was to discover what Cubans imported to the city and how, at the same time,  they were impregnated  by the very special American way to set the spaces we live in.  Elements such as cars, furniture, and appliances appear several times in my photographs as immigrants' imported obsessions from the Island Cuban-Americans can satisfy with a certain addiction to consumerism by buying all kind of artifacts,- only to put them away weeks or months after. On the other hand, different shortcuts achieved my purpose to communicate the sense of loneliness that I perceive around me in Miami. Therefore, individuals are absent in these images. The refugee is not in the images because she is behind the camera.  The city will continue to change, so this portfolio. Therefore, my recent artworks made after the thesis,-when I narrowed the use of photo equipment to a medium format film camera and a tripod-, are produced from Digital large format files, and some manipulation of the images may occur as need it.  

- Isabel Sierra, some extracts from her Bachelor in Fine Art Thesis, 6 December 2012.


BARRIO CHINO, the CHINATOWN SERIES

a non-profit institution dedicated to advancE fine art photography and art photo related